I find myself fairly annoyed when
someone says something patently stupid, or absurd, or hurtful
(bigoted, misogynistic, racist), and, when called out for it, instead
of retreating, apologizing, they double down, shouting 'Free Speech!'
“I'm standing up for Freedom of Speech!”
Er, no.
When the First Amendment was penned,
they were thinking of protecting the sorts of speech that could be
silenced (and often had been, through imprisonment or worse) by those
in power: Criticism of actions, Truth (that others wished to remain
hidden), Alternative Viewpoints. They realized that a democracy could
not long endure if potential candidates could be silenced before
elections could take place.
Now, one of our improvements on the
original thinking is the growing understanding that power also
resides in locations other than our government: Corporations have
power, Employers have power, Religions have power, even the Wealthy
have power (although the Robert's Court seems intent on willfully
ignoring this fact.) Protecting our ability to Speak Truth to Power,
of bringing criminal activity to light, has led to a broadening of
the sorts of speech that cannot be retaliated against.
(Whistle-blower protections are a specific implementation that comes
readily to mind.)
All of these thoughts have been rolling
around in my mind as I've watched the unfolding brouhaha over the
release, retraction, limited re-release of the movie “The
Interview”. When Sony retracted the movie, many were shocked,
claiming that it was a direct hit to artistic freedom, to free
speech. Upon its limited re-release, many of those interviewed have
acted like they are some sort of admirable patriot, standing up for
freedom. I think they are wrong: Sony's actions vis-a-vis “The
Interview” have nothing to do with freedom of speech. They have to
do with ethics (or a lack thereof). An ethical person would not have
made such a movie.
Have you ever noticed the disclaimer at
the start of every work of fiction, or the end of every such movie?
“The characters and events portrayed are fictitious, and any
resemblance to actual persons or events is entirely coincidental...”
By creating a work of fiction, artists are freed to explore actions
that are taboo or criminal. By not tying the events or the characters
to actual people, specific people are not called out, their
reputations neither questioned nor harmed. Plus, there is a big
difference between exploring the idea of killing an individual, with
its attendant consequences, and writing about killing a specific,
actual individual.
Here's where I have a beef with the
movie and with the actions of those surrounding it. If someone were
to text “I'm going to kill so-and-so”, we would not take that as
something to be ignored under the guise of free speech. We would grow
concerned, and probably call for a police investigation. If, upon
investigation, the police uncovered detailed plans on how the first
individual would carry out the deed, we would see that as proof of
criminal intent, and call for prosecution.
I know. “The Interview” is not
proof of Seth Rogan's intent to kill Kim Jung-un, nor proof that Mr
Rogan has murderous thoughts. But, by calling out a specific
world-leader, rather than a fictitious entity, Mr. Rogan has made it
ambiguous. Those of us who believe assassination to be a criminal act
expect any movie exploring such themes to take them seriously, (the
upcoming movie American Sniper appears to take this tact), or, if
satirized, to at least fictionalize the story enough that we can tell
the creator agrees with us.
We certainly wouldn't stand by if, for
instance, Bollywood were to release a movie depicting (even
comically) an attempted assassination of President Obama. It would be
much easier to see that has crossed a line, and is not the sort of
movie we would like to see made.
Calling into question the ethics of
“The Interview”, even motivating against its release (and
hopefully, against anyone who would make such a movie in the future),
is not an attack on either free speech nor artistic expression. It is
simply indicating that there should be ethics that are adhered to,
that there is a gulf between speaking truth to power and depicting
(attempted) violence against an actual person.
Agreed: The actions of the hackers were
particularly ham-fisted and criminal, and I would like to explore
that (and its fall-out) in a little more depth (later). But just
because someone acted criminally to call out the stupidity of some
speech doesn't make the speech any better, any more legitimate. “The
Interview” is still perverse, and not anything that should have
been said.
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